Beach Boys, “Holland” (Brother/Epic, 1972)
This is the Boys at peak mellow. With its drifting-cloud tempos and piano that sounds like it was recorded in the depths of one of the city’s canals, this gives every sign of having been fueled by bales of Amsterdam’s finest combustibles. As compellingly hedonistic-utopian a representation of life in the hammock as their early work was of life on the curls.
Try 1 and 3, 4, 5 (comprising an epic trilogy!)
10/21/16

Beach Boys, “Love You” (Reprise, 1977)
With Brian fully on board, the Boys offer their definitive statement of gently sun-baked late ‘70s SoCal eccentricity. Lots of dazzling but oddly dislocated piano and orchestral fanfare-sweeps that spotlight the naïve yet acute lyrics and melodies, driven along by Dennis’s languidly funky minimalist drum pulse. Maybe their last unequivocal class.
Try 1/ 2, 1/ 4, 2/1
4/7/19

Beach Boys, “Summer Days and Summer Nights” (Capitol, 1965)
The Boys at arguably their peak, one foot still in the streamlined, ice-cream-paint-job pop-rockabilly-plus-hormones of their early era, the other stretching into the light-and-shadow mode of Brian’s melodically shifting introspections.
Try A/4, A/6, B/2, B/3
6/9/19

Beach Boys, “Ten Years of Harmony” (Brother, 1981; original recordings 1972-81)
I happen to love the Beach Boys’ much-maligned ‘70s work; mellowing out in the studio with an ample supply of wine coolers and valium was the logical period-specific iteration of their evolving L.A. leisure ethos, and the sparse yet lush chorale-and-treated-instruments tunage often has a vastness and serenity that justifies itself in spades (and contains numerous pockets of serious weirdness).
Try 1/5, 2/4, 2/8, 4/7
8/16/15